Dejan Vasić

Dejan Vasić is an art critic and independent curator based in Belgrade, Serbia, currently working as a visual arts program curator at the Center for Cultural Decontamination in Belgrade. He is co-editor of Beton (cultural propaganda kit) and an active member of AICA Serbia. In the past, he was a member of Kontekst Collective (2009-2013), the Culture of Memory curatorial platform (2010-2014) and the Four Faces of Omarska Working Group (2010-2015). He is interested in art as a critical and political practice, and the affirmation of critical thinking as a public good. His research and curatorial projects were part of public events and exhibitions (selection): Gathering Around the Wreckage, Oliver Ressler solo exhibition (Cultural Center of Belgrade, 2020); Art as Critics and Politics (CZKD Center 2017-ongoing); Performance, Performativity and Document (SULUV Galery, Museum of Contemporary Art of Vojvodina, 2018); Four Faces of Omarska (Dokufest, Prizren 2014; Forensis, HKW, Berlin 2014; October Salon, Belgrade 2013; Gallery of Contemporary Art, Sarajevo 2013; Urban Festival, Zagreb 2012; Center for research Architecture, Goldsmith University of London, 2012; Museum of Contemporary Art Belgrade, 2010; SpaPort Biennial, Banja Luka, 2010); The Culture of Memory (GPL Contemporary, Vienna 2014; Gallery PM, HDLU Zagreb 2014; Mediterranea 16, Young Artists Biennial, Ancona 2013; Biennial of Visual Arts, Pančevo 2012; Cultural Center, Šabac 2010).