{"id":6098,"date":"2018-03-15T17:50:38","date_gmt":"2018-03-15T16:50:38","guid":{"rendered":"https:\/\/www.switchonpaper.com\/en\/?p=6098"},"modified":"2020-10-19T15:29:55","modified_gmt":"2020-10-19T13:29:55","slug":"art-peddler","status":"publish","type":"post","link":"https:\/\/www.switchonpaper.com\/en\/society\/the-status-of-art\/art-peddler\/","title":{"rendered":"Art peddler"},"content":{"rendered":"<p>The salesman who brings all kinds of tidings, witness and complicit to a diverse array of rumours, acting as a bridge between distant villages and families, across valleys and cultures. The Galerie Ambulante (mobile gallery), driven by St\u00e9phane Guglielmet, travels across cantons, through the winter, a harbinger of spring. It sets up shop on public squares, schoolyards; it draws attention, taking stock of the restrained crowds. Inside the vehicle, the artworks provide a talking point, children become their accomplices in inventing images and forms: a one-minute sculpture with Erwin Wurm, piecing together junk with Thomas Hirschhorn, landscape outlines with Pierre Malphettes, the Fluxus approach with Ben, transgressive painting with Thierry Lagalla and even sound poetry with Bernard Heidsieck. In this Gallery, everything is an impetus to play, to be in that essential state of play that constitutes art and that art constitutes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The salesman who brings all kinds of tidings, witness and complicit to a diverse array of rumours, acting as a bridge between distant villages and families, across valleys and cultures. The Galerie Ambulante (mobile gallery), driven by St\u00e9phane Guglielmet, travels across cantons, through the winter, a harbinger of spring. It sets up shop on public<\/p>\n","protected":false},"author":101027,"featured_media":7508,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1847],"tags":[1904],"corpus":[],"post_types":[1329],"associate_editors":[],"authors":[1646],"class_list":["post-6098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society","tag-the-status-of-art","post_types-chronique-en","authors-luc-clement-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/posts\/6098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/users\/101027"}],"replies":[{"embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/comments?post=6098"}],"version-history":[{"count":0,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/posts\/6098\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/media\/7508"}],"wp:attachment":[{"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/media?parent=6098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/categories?post=6098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/tags?post=6098"},{"taxonomy":"corpus","embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/corpus?post=6098"},{"taxonomy":"post_types","embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/post_types?post=6098"},{"taxonomy":"associate_editors","embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/associate_editors?post=6098"},{"taxonomy":"authors","embeddable":true,"href":"https:\/\/www.switchonpaper.com\/en\/wp-json\/wp\/v2\/authors?post=6098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}