{"id":29209,"date":"2020-12-08T10:23:13","date_gmt":"2020-12-08T08:23:13","guid":{"rendered":"https:\/\/www.switchonpaper.com\/qui-sommes-nous\/"},"modified":"2021-02-25T10:23:51","modified_gmt":"2021-02-25T08:23:51","slug":"who-we-are","status":"publish","type":"page","link":"https:\/\/www.switchonpaper.com\/en\/who-we-are\/","title":{"rendered":"Who are we?"},"content":{"rendered":"
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Starting from an artistic or cultural point of view, our choice is to invite authors – researchers, writers, artists or journalists, not widely published and of all nationalities – to deliver each week an analysis of these contemporary phenomena and practices. Over a deliberately slow and painstaking editorial process which combines forensic criticism and situated criticism, together we produce investigative texts on international affairs, which combine scientific rigour with the ethics of slow journalism<\/i>. We defend quality information, far from rushed media and information overload, demanding and committed, which offers the time to read differently and reflect further.<\/p>\n

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Beyond the investigative work we publish, we wanted to diversify publishing forms, to offer a rich content and a constantly renewed interest in reading. We have thus developed essays, reviews, interviews as well as videos and audio podcasts.<\/p>\n

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Our site has developed to offer a clear, readable visual interface, on computer, tablet or smartphone, our objective being to reconcile a high standard for content and reading comfort for all audiences, including those less used to digital.<\/p>\n

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The texts and documents we publish will, over time, constitute a base of resources and knowledge unique of their kind, illuminating the relationship between art and the world around us, intended to serve future researchers as well as today’s curious readers.<\/p>\n

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Switch (on Paper) addresses itself as much to the world of art as to all those curious minds who wish to access an original media of information about world affairs and ideas.<\/p>\n

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\u2013 an international weekly, with two editions in French and in English,
\n\u2013 linked to current affairs, but not a news-based magazine,
\n\u2013 an endlessly growing variety of contributors, of authors – academics, critics, from the world of art or social and human sciences, artists, journalists – and of multiple nationalities,
\n\u2013 an ethos: no advertising, every writer scrupulously paid, respect for the plurality of views
\n\u2013 a set of services dedicated to our subscribing members: personal space, archiving, downloading of pdf files, exclusive content, advantages and invitations.<\/p>\n

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2.The Knowledge Base<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t

\u2013 building a base of extensive information and knowledge,
\n\u2013 access via an integrated search engine,
\n\u2013 library, work and research tool.<\/p>\n<\/div>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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3.Readers’ Society, Subscribing Members’ Community<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t

\u2013 meet the readers’ society brought together on shared interests and events,
\n\u2013 enjoy personalised services (archiving, exclusives, advantages),
\n\u2013 dialogue, discussion, suggestions, think together,
\n\u2013 promoting an ethos of the Switch (on Paper) readers’ society.<\/p>\n<\/div>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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All content and services offered by Switch (on Paper) is reserved to our subscribing members, based on diversified offers which allow the general public to access it. To explore our subscription deals, click here<\/a>.<\/p>\n

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You can also support Switch (on Paper), independent media, with a tax break through the “J’aime L\u2019info<\/a>” platform dedicated to support new press projects. Or, take part in our campaigns to finance new projects or productions with the KissKissBankBank<\/a>. platform.<\/p>\n

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\u00c9ric Mangion<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t

Eric Mangion has been the director of the Villa Arson art center since 2006. There he hosted and organized numerous solo exhibitions, notably for Eva Barto, Sonia Boyce, Monster Chetwynd, Judy Chicago, Jeremy Deller, Jean Dupuy, Brice Dellsperger, Ryan Gander, Bernard Heidsieck, Emmanuelle Lain\u00e9, Zo\u00e9 L\u00e9onard, Flora Moscovici, Roman Ondak, Linda Sanchez, Tatiana Trouv\u00e9, as well as group exhibitions such as Ne pas jouer avec des choses mortes<\/em>, Go Canny! Po\u00e9tique du sabotage<\/em>, Double Bind \/ Arr\u00eatez d\u2019essayer de me comprendre!<\/em>, Acclimatation<\/em>, \u00c0 moiti\u00e9 carr\u00e9\/\u00c0 moiti\u00e9 fou<\/em>, Transmission<\/em> and \u00c0 la vie d\u00e9lib\u00e9r\u00e9e<\/em>. He was the director of Frac Provence-Alpes-C\u00f4te d\u2019Azur from 1993 to 2005, during which time he oriented part of the collection toward evolutive works. He also was the independent head and co-curator of many exhibitions, including: Self in Material Conscience<\/em>, Fondation Sandretto in Turin, 2002\u00a0; Artur Barrio<\/em>: Actions After Actions<\/em> at the University of Philadelphia, 2006\u00a0; Recommencer, Commencer de nouveau la peinture<\/em> by G\u00e9rard Gasiorowski, Carr\u00e9 d\u2019art in N\u00eemes, 2010\u00a0; Modules<\/em> (Thomas Teurlai, Vivien Roubaud and Tatiana Wolska), Palais de Tokyo, Paris, 2014\u00a0; La voix lib\u00e9r\u00e9e \u2013 Po\u00e9sie sonore<\/em>, Palais de Tokyo, Paris, 2019\u00a0; Parties sans \u00e9teindre la lumi\u00e8re<\/em> (Pauline Curnier Jardin and Marie Losier,) Fondation d\u2019entreprise Ricard, Paris, 2019. He was also the artistic director of the Printemps de Septembre festival 2010 (Une forme pour toute action<\/em>) and artistic advisor on the Live <\/em>festival in Vancouver, 2011. A member of the dance commission for the Ministry of Culture from 2013 to 2016, he has presided over the Actoral and Mont\u00e9vid\u00e9o festivals (Marseille) since June 2017. As an art critic contributing to several publications, in 2007 he oversaw the artistic direction of the journal Fresh Th\u00e9orie III<\/em>. He is the co-founder and editor-in-chief of the online magazine Switch (on Paper)<\/a>.<\/p>\n<\/div>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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Luc Cl\u00e9ment<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t

Luc Cl\u00e9ment acquired extensive experience in communication at major groups (Havas, Publicis) and independent structures before forming his own agency in Nice. An expert in brand name history, he possesses solid skills in the world of creation. In 2001, he founded ‘Le Dojo’, an experimental contemporary art space where he collaborated with numerous artists and musicians on in situ projects, throwing bridges and prompting interactions between the artistic sphere and private business. These collaborations put the spotlight on various original artists such as C\u00e9leste Boursier Mougenot, Matthieu Mercier, Nicolas Moulin, Vincent Epplay and, in association with Arnaud Maguet, performances by Jac Berrocal, Xavier Boussiron, Lee Ranaldo, Aki Onda and many more. He is now Associate Editor and Head of Publication for the magazines Marie Claire and Marie Claire Maison M\u00e9diterran\u00e9e.<\/p>\n<\/div>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t \t\t \t \t\t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t\t\t\t\t \t \t

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Association under the law of 1901<\/div>\n\t\t \t\t\t\t <\/div>\n\t\t
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President<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Luc Cl\u00e9ment<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t

Editor and Director of \u201cLe Dojo\u201d<\/p>\n\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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Vice-president<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Vanina Andreani<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t

Head of Publication \u201cFrac Pays de la Loire\u201d<\/p>\n\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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Treasurer<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

\u00c9ric Mangion<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t

Director of the \u201cVilla Arson\u201d Arts Centre<\/p>\n\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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Secretary<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Jean-Yves Jouannais<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t

Writer and founder of the \u201cEncyclop\u00e9die des Guerres\u201d<\/p>\n\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t

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Vice-Secretary<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Damaris Bentz<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t

Bookseller<\/p>\n\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t \t\t \t \t\t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t\t\t\t\t \t \t

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Head of publication<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Luc Cl\u00e9ment<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Chief Editor<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

\u00c9ric Mangion<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Editorial advisor<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Mathilde Roman<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Editing<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Fr\u00e9d\u00e9ric Maria<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Translation<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Maya Dalinski, Angela Kent, Emmelene Landon<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Contributors, November, 16, 2020<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t

BORIS ACHOUR, AGATA ADAMIECKA-SITEK, VANINA ANDREANI, VANGELIS ATHANASSOPOULOS, JOAN AYRTON, PIERRE BAL-BLANC, EVA BARTO, JULIEN B\u00c9COURT, BRUCE B\u00c9GOUT, LAURENCE BERTRAND DORL\u00c9AC, PIERRE BISMUTH, NATHALIE BLANC, ADRIEN BLOU\u00cbT, VIRGINIE BOBIN, MAXIME BOIDY, AMALINA BOMNIN HERN\u00c1NDEZ, PATRICIA BRIGNONE, ESTELLE BROUSSE, MARIE CANET, MAX CEGIELSKI, JEAN-FRAN\u00c7OIS CHERMANN, ALEXIS CICCI\u00d9, LUC CL\u00c9MENT, SYLVIE CO\u00cbLLIER, ANNA COLIN, ZO\u00c9 COSSON, SANDRA DELACOURT, JULIETTE DESORGUES, DISNOVATION.ORG, JEAN-MARIE DURAND, VINCENT EPPLAY, JEAN-BAPTISTE FARKAS, FR\u00c9D\u00c9RIC FERRER, MARIE FOUQUET, MAURICE FR\u00c9CHURET, CHLO\u00c9 FRICOUT, EMMANUELLE GALL, JEAN-BAPTISTE GANNE, RAPHA\u00cbLLE GIANGRECCO, H\u00c9L\u00c8NE GIANNECCHINI, G\u00c9RALDINE GOURBE, AGNIESZKA GRAFF, MAR\u00cdA LUISA GRAU TELLO, CHARLOTTE GROULT, H\u00c9L\u00c8NE GUENIN, ALEXANDRA GUILLOT, L\u00c9O GUY-DENARCY, JOANA HADJITHOMAS & KHALIL JOREIGE, \u00c1gnes Horvath, JEAN-YVES JOUANNAIS, CHRISTOPHE KIHM, YA\u00cbL KREPLACK, ARNAUD LABELLE-ROJOUX, D\u00c9BORAH LAKS, EMMELENE LANDON, SOPHIE LAPALU, NINA LEGER, FRANCK LEIBOVICI, GAIL LEVIN, KIM LEVIN, SHIYAN LI, ERIC LORET, BERAL MADRA, ARNAUD MAGUET, ERIC MANGION, JULIA MARCHAND, JOS\u00c9 LUIS MARTINEZ MESEGUER, PIERRE MEUNIER, LUBA MICHAILOVA, ANNE-CHARLOTTE MICHAUT, FERESHTE MOOSAVI, NATHALIE MOUREAU, ESTELLE NABEYRAT, ROSEMARY O\u2019NEILL, VITTORIO PARISI, PATRIZIO PETERLINI, SASHA PEVAK, J\u00c9R\u00c9MY PIETTE, VAL\u00c9RIE PIHET, ARMELLE PRADALIER, LAURENT QUINTREAU, OLIVIER QUINTYN, B\u00c9N\u00c9DICTE RAMADE, GEORGIA RENE\u0301-WORMS, CAMILLE REYNAUD, CAMILLE RICHERT, TRISTAN ROBERT, CHRISTIAN RINAUDO, ISABELLE RODRIGUEZ, MATHILDE ROMAN, NERMIN SAYBA\u015eILI, K. LISA SCHIFF, PINAR SELEK, KAROL SIENKIEWICZ, JULIEN SPIRA, LISA PAUL STREITFELD, EWA SU\u0141EK, ANYSIA TROIN-GRUIS, NICOLAS VAQUIER, DEJAN VASI\u0106, JULIEN VERHAEGHE, MAREK WASILEWSKI, YANG WANG, SHINGO YOSHIDA, ELVAN ZABUNYAN, JULIEN ZERBONE, \u00c7I\u011eDEM ZEYTIN, ESTELLE ZHONG MENGUAL.<\/p>\n\t\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t \t\t \t \t\t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t \t\t\t\t \t\t\t\t\t \t \t

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Technical Support<\/div>\n\t\t \t\t\t\t <\/div>\n\t\t
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Webmaster & SEO<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Sabrina Surel<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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In charge of production and communication<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Andr\u00e9a Ricciutelli<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Administration and membership management<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Nicolas Vaquier<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
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Visual identity<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

Faustine Najman<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t \t\t
\n\t\t\t\t \t\t\t\t\t\t \t\t\t

Developer<\/p>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t \t\t\t

C\u00e9dric Moris Kelly, Afterglow Web Agency<\/h3>\n\t\t\t\t \t\t\t\t\t\t \t\t\t\t\t\t\t \t\t\t\t\t \t\t\t\t\t\t \t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

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