{"id":13103,"date":"2019-03-22T16:33:22","date_gmt":"2019-03-22T15:33:22","guid":{"rendered":"https:\/\/www.switchonpaper.com\/editeurs\/"},"modified":"2019-05-22T12:55:53","modified_gmt":"2019-05-22T11:55:53","slug":"publishers","status":"publish","type":"page","link":"https:\/\/www.switchonpaper.com\/en\/publishers\/","title":{"rendered":"Associate Publishers"},"content":{"rendered":"<p>[vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/Inauguration_SentierMarcel_TillRoeskens4788.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11151 size-medium\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/Inauguration_SentierMarcel_TillRoeskens4788-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Galerie Territoires Partag\u00e9s, Marseille<\/h4>\n<p>The texts <em><a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/04\/13\/the-indigenous-way\/\" rel=\"noopener noreferrer\">The Indigenous way<\/a>, <a href=\"https:\/\/www.switchonpaper.com\/en\/2019\/04\/04\/damien-hirst-and-till-roeskenstwo-opposing-cosmoses\/\" rel=\"noopener noreferrer\">Damien Hirst and Till Roeskens, two opposing cosmoses<\/a> and <a href=\"https:\/\/www.switchonpaper.com\/en\/2019\/04\/04\/artist-worker-goatherd-and-storyteller-interview-with-till-roeskens\/\" rel=\"noopener noreferrer\">Artists, worker, goatherd and storyteller, interview with Till Roeskens<\/a> were produced with the help of Territoires Partag\u00e9s Gallery (Marseille).<\/em><\/p>\n<p><a href=\"http:\/\/artccessible-territoires-partages.blogspot.fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">artccessible-territoires-partages.blogspot.fr<\/a><\/p>\n<h5>Picture: Till Roeskens, <em>Sentier Marcel<\/em>, 2017.<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/cGyte_Gavenaite_7D5B4997.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11162\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/cGyte_Gavenaite_7D5B4997-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Fondation Galeries Lafayette, Paris<\/h4>\n<p>The texts <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/11\/22\/the-coalition-of-the-dispossessed\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Coalition of the Dispossessed<\/em><\/a><em>; <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/09\/27\/other-ways-of-doing-%E2%80%92-art-law-or-social-sciences\/\" rel=\"noopener noreferrer\">Other ways of doing &#8211; art, law or social sciences &#8211; interview with Franck Leibovici<\/a>; <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/09\/13\/bodies-without-fatigue\/\" rel=\"noopener noreferrer\">Bodies without Fatigue<\/a> and <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/09\/13\/writing-in-someone-elses-nighta-talk-between-tyler-coburnand-camille-richert\/\" rel=\"noopener noreferrer\">Writing in someone else&#8217;s night. A talk between Tyler Coburn and Camille Richert<\/a> <\/em>were produced with the help of Fondation Galeries Lafayettes (Paris).<\/p>\n<p><a href=\"https:\/\/www.lafayetteanticipations.com\/fr\" target=\"_blank\" rel=\"noopener noreferrer\">lafayetteanticipations.com<\/a><\/p>\n<h5>Picture: \u00c8ve Chabanon, <em>Anti-Social Social Club: Episode One, The Chamber of the Dispossessed<\/em>, 2017. \u00a9 Gyte Gavenaite.<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/MR5.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11157\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/MR5-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Fondation Emerige, Paris<\/h4>\n<p>The texts<em> <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/07\/18\/mika-rottenbergpassing-through-a-tunnel\/\" rel=\"noopener noreferrer\">Mika Rottenberg. Passing through a tunnel<\/a> <\/em>and <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/07\/18\/otobong-nkangathe-ethics-of-cooperation\/\" rel=\"noopener noreferrer\"><em>Otobong Nkanga. The Ethics of cooperation<\/em><\/a> were produced with the help of Fondation Emerige (Paris).<br \/>\n<a href=\"http:\/\/www.villaemerige.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">villaemerige.com<\/a><\/p>\n<p>The Fondation Emerige supports young creation with The R\u00e9v\u00e9lations Emerige Bursary.<br \/>\n<a href=\"http:\/\/revelations-emerige.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">revelations-emerige.com<\/a><\/p>\n<h5>Picture: Mika Rottenberg, <em>Cosmic Generator,\u00a0<\/em>2017. Courtesy of Andrea Rosen Gallery, New York<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2018\/07\/Earth-Minus-Environment-CMYK_300dpi.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-9736 size-medium\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2018\/07\/Earth-Minus-Environment-CMYK_300dpi-300x191.png\" alt=\"Earth Minus Environment (Model) 1992, Model, wood perspex, model cars, 122 x 122 cm Courtesy of the Artist \u00a9 Photo: Wojciech Olech \u2013 Photo courtesy: CoCA Toru\u0149\" width=\"300\" height=\"191\" srcset=\"https:\/\/www.switchonpaper.com\/wp-content\/uploads\/2018\/07\/Earth-Minus-Environment-CMYK_300dpi-300x191.png 300w, https:\/\/www.switchonpaper.com\/wp-content\/uploads\/2018\/07\/Earth-Minus-Environment-CMYK_300dpi-768x489.png 768w, https:\/\/www.switchonpaper.com\/wp-content\/uploads\/2018\/07\/Earth-Minus-Environment-CMYK_300dpi-1024x652.png 1024w, https:\/\/www.switchonpaper.com\/wp-content\/uploads\/2018\/07\/Earth-Minus-Environment-CMYK_300dpi.png 1050w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h4>Fondation Antoine de Galbert<\/h4>\n<p>The texts<em> <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/07\/25\/gustav-metzgeract-or-perish\/\" rel=\"noopener noreferrer\">Gustav Metzger. Act or perish<\/a><\/em> and <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/08\/30\/mierle-laderman-ukeles-re-spect-art-the-city-care\/\" rel=\"noopener noreferrer\"><em>Mierle Laderman Ukeles. Re-spect, art, the city, care<\/em><\/a> were produced with the help of Antoine de Galbert Foundation (Paris).<\/p>\n<h5>Picture: Gustav Metzger, <em>Earth Minus Environment (Model)<\/em>, 1992, Model, wood perspex, model cars, 122 x 122 cm. Courtesy of the Artist \u00a9 Photo: Wojciech Olech \u2013 Photo courtesy: CoCA Toru\u0149.<\/h5>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/05\/Shiyan-li-12m2-1.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11299\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/05\/Shiyan-li-12m2-1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Art Company, Cannes<\/h4>\n<p>The text <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/04\/11\/shiyan-li-performance-art-for-the-people\/\" rel=\"noopener noreferrer\"><em>Performance art for the people<\/em><\/a> a was produced with help of Art Company (Cannes) which supports the work of Espace de l\u2019Art Concert (Mouans-Sartoux).<\/p>\n<p><a href=\"http:\/\/espacedelartconcret.fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">espacedelartconcret.fr\u00a0<\/a><\/p>\n<h5>Picture: Zhang Huan, 12m2, performance, Beijing, China.<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/Francis-Aly\u0308s-Ambulantes-1992.....jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11153\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/Francis-Aly\u0308s-Ambulantes-1992....-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Bernard Massini, Nice<\/h4>\n<p>The text <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/03\/14\/sophie-lapalu-the-song-of-mexico-city\/\" rel=\"noopener noreferrer\"><em>The song of Mexico<\/em><\/a> was produced with the help of Bernard Massini (Nice) which supports the work Lawrence Carroll.<\/p>\n<p><a href=\"http:\/\/www.galerie-karsten-greve.com\/fr\/exhibition\/lawrence-carroll\/what-comes-9-septembre-28-octobre-2017\/fr\" target=\"_blank\" rel=\"noopener noreferrer\">Karsten Greve Gallery<\/a> and\u00a0<a href=\"http:\/\/www.buchmanngalerie.com\/artists\/lawrence-carroll\/works\" target=\"_blank\" rel=\"noopener noreferrer\"> Buchmann Galerie<\/a><\/p>\n<h5>Picture: Francis Al\u00ffs, <em>Paradox of Praxis<\/em>, 1997.<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/11.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11170\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/11-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Galerie Georges-Philippe &amp; Nathalie Vallois, Paris<\/h4>\n<p>The text <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/04\/20\/izolyatsia\/\" rel=\"noopener noreferrer\"><i>Annexion and destruction<\/i><\/a> was produced with the help of Georges-Philippe &amp; Nathalie Vallois Gallery (Paris).<\/p>\n<p><a href=\"http:\/\/galerie-vallois.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">galerie-vallois.com<\/a><\/p>\n<h5>Picture: Maria Kulikovska, <i>Army of Clones<\/i>\u00a0\u00a9 Victor Corwic<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;top&#8221;][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/nice-promenade-h654-1300x620.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11172\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/nice-promenade-h654-1300x620-e1554729993909-300x164.jpg\" alt=\"\" width=\"365\" height=\"200\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Galerie Vallois, Paris<\/h4>\n<p>The text\u00a0<em><a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/03\/09\/runs-towards-the-maybury-hill-embeds-test\/\">The promenade des Anglais, an open air theater<\/a> <\/em>was produced with the help of Vallois Gallery (Paris).<\/p>\n<p><a href=\"http:\/\/vallois.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">vallois.com<\/a><\/p>\n<h5>Picture: No\u00ebl Dolla, photograph of the performance <em>Restructuration Spatiale n\u00b0 5<\/em>, 1980.\u00a0Photograph of\u00a0the\u00a0performance\u00a0in\u00a0<em>Chroniques ni\u00e7oises, Gen\u00e8se d\u2019un Mus\u00e9e, tome II<\/em>\u00a0\u00a9 No\u00ebl Dolla \u2013 ADAGP, Paris 2012. Photograph : \u00a9 No\u00ebl Dolla | courtesy of the artist<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;top&#8221;][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/fidel-Scammers-Sub.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11175\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/fidel-Scammers-Sub-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4>Safia El Maqui, Monaco<\/h4>\n<p>The text <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/03\/14\/the-rumors-of-the-world\/\" rel=\"noopener noreferrer\"><em>The rumors of the world<\/em><\/a> was produced with the help of Safia El Maqui (Monaco) which supports the work of Sister Corita Kent.<\/p>\n<p><a href=\"http:\/\/corita.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">corita.org<\/a><\/p>\n<h5>Photo :\u00a0<span class=\"m_-7102048914355138759m_-45653120389212708m_-8270929369957893446gmail-im\">J<\/span>oana Hadjithomas &amp; Khalil Joreige,\u00a0<i>Sasha<\/i>, 2014. Video installation, 2 HD synchronized projections, 4 min 23 sec. Edition of 6 + 2 AP. Courtesy: Galerie In Situ-fabienne leclerc, Paris<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<a href=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/aiweiwei.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11176\" src=\"https:\/\/tigerandjune-dev-switch.pf3.wpserveur.net\/wp-content\/uploads\/2019\/04\/aiweiwei-300x143.jpg\" alt=\"\" width=\"300\" height=\"143\" \/><\/a>[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h4>SNC Prializart, Paris<\/h4>\n<p>The text <a href=\"https:\/\/www.switchonpaper.com\/en\/2018\/06\/03\/dissident-dissonance\/\" rel=\"noopener noreferrer\"><em>Dissident dissonance <\/em><\/a>was produced whtih the help of SNC Prializart (Paris).<\/p>\n<p><a href=\"http:\/\/prializart.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">prializart.com<\/a><\/p>\n<h5>Picture: Portrait of Ai Weiwei, plastic LEGO, single panel, 2014, Courtesy of FOR-SITE Foundation, San Francisco.<\/h5>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;top&#8221;][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h4>Become an Associate Publisher<\/h4>\n<p>Participate in the production of future Switch (on Paper) texts by becoming an associate publisher. The cost of producing each text (writing, translation, editing and rights) is 1,300 euros. Associate publishers are free to produce one or more texts, depending on their means and field of interest, and select the authors and topics they intend to support on the basis of abstracts we submit. Associate publishers are mentioned at the end of each text, along with a redirect link to the website, blog, social network or webpage of their choice<\/p>\n<p class=\"m_7574038104970308165gmail-p1\"><span class=\"m_7574038104970308165gmail-s1\"><br \/>\n<a href=\"https:\/\/www.switchonpaper.com\/wp-content\/uploads\/2018\/02\/Become-an-associate-publisher.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13182\" src=\"https:\/\/www.switchonpaper.com\/wp-content\/uploads\/2019\/05\/more-information.png\" alt=\"\" width=\"113\" height=\"17\" \/><\/a><br \/>\n<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;top&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text] Galerie Territoires Partag\u00e9s, Marseille The texts The Indigenous way, Damien Hirst and Till Roeskens, two opposing cosmoses and Artists, worker, goatherd and storyteller, interview with Till Roeskens were produced with the help of Territoires Partag\u00e9s Gallery (Marseille). artccessible-territoires-partages.blogspot.fr Picture: Till Roeskens, Sentier Marcel, 2017. 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